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The regulation and protection of frequencies used by wireless audio systems is a key issue for Shure. Prakash Moorut, Guillaume Mascot, together with Thomas Delory, explain the importance of their work for audiovisual professionals.

Adorned with 1,000 DSPs, sound is back in the spotlight, determined not to be outdone by lighting, video and set design. Sound if I want it, where I want it and when I want it. But sound that sounds ?

Here we suggest a small state of the art on the removable omega supports associated with the moving heads, and try to express why this notion is of paramount importance during the exploitation of the fixtures in situ.

Yohan Ory, lighting applications engineer at Algam Enterprises, shows us his own maintenance ritual in three easy steps of the Martin Mac Ultra Performance.

This new section in SoundLightUp deals with the correct way to maintain your moving light in order to keep its optimum light output, sharp edges (gobos and beam) and ensure that it lasts a long time. Vincent Bouquet, Technical Director for Robe France, kicks-off this new section by sharing his technical expertise on the subject.

d&b has recently, and doubtlessly before the others, unveiled their digital system for coverage and tonal uniformity, designed for use with their J, V and Y systems. This new feature is part of the ArrayCalc V8 prediction software and uses the DSP of the D80 and D20 amplifiers. It is also free.

Among the reasons for setting up a digital audio network, the most common is the need for routing multiple channels to a small number of fixed destinations. For example, between the stage and the FoH console. Therefore, in most cases it may not be necessary to resort to extremely powerful network systems, which require specialized expertise and heavy administration. Roland REAC is a solution in these situations.