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Luke Combs’ fourth Australian tour packs a punch with Ayrton lighting, MDG atmospherics and grandMA3 lighting control
Claypaky Fixtures Support World Premiere of “Oresteia” by The St. Gallen Dance Company in Switzerland
Robert Juliat Arthur followspots make their South American debut at Beto Carrero World
TAFtool 5.0 Takes Virtual TAF Structures to a New Level
M&S Showtechniek Invests in Robe
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
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Robe iBOLT drawing tight beams in space
ETC Zeo by High-End Systems: one of a kind !
Martin Viper XIP, the worthy heir
Chauvet Strike Bolt 1C, Strobe, colors and more!
Claypaky Rhapsodya, the new Maestro of Lighting
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Sing! China chooses L-Acoustics L-ISA technology
RCF Arena Reggio Emilia The largest Italian outdoor venue, ever.
CODA Audio appoints SC Media Canada as Distributor
Titans serves Lord of the Flies
Wysiwyg R43, everything is faster in 64-bit
Hippotizer V4 at Finnish National Opera
Elvia-Pro distributes Broaman in Czech Republic
What’s news at Claypaky booth at LDI
The first German #DiGiCo SD7 Quantum goes to Protones
RCF appoints new RCF LATAM for enhanced latin American distribution
With TraXYZ, followspots become autonomous
Sixty82 distributed in Middle East by Unusual Rigging & Engineering
Claypaky Xtylos, the first Beam fixture with RGB Laser sources
Defender® Presents the MICRO 2 Cable Protector Series
Oz LED followspots at the New National Theatre, Tokyo
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