Merlin PA Hire supplies EV X2 and Dynacord TGX amps for all-OMNEO workflow on sold-out UK tour. Versatility of X-Line Advance X2 line array delivers “perfect sound” across varied venues. FOH engineer Mark Clements praises “crisp and precise” X2 performance and “massive headroom” of TGX.
Front of House engineer Mark Clements
Platinum selling vocal harmony stars The Overtones sold out concert halls across the UK when they set out on a 26-date tour at the end of 2018, accompanied by long-term front of house engineer Mark Clements. For technical production specialist Merlin PA Hire, the sheer variety of venues on the tour meant that the sound system had to be as flexible as possible while still delivering the clarity of performance required for the precise and detailed Overtones sound.
Mark Clements, the band’s engineer for nine years, asserts: “The guys are very particular about what they want and for me it needs to be precise – crystal clear vocals and the ability to retain the character of their individual voices.
It’s not a broad-spectrum EQ, it’s very defined for each performer and there’s a lot of time spent riding the faders.” Most importantly, Overtones shows are renowned for inspiring audiences to leap to their feet and dance in the aisles.
Dynacord TGX-20 amplifiers rack, ready for fully OMNEO workflow, combining Dante audio transport with OCA control.
Delivering the all-important blend of versatility, performance and power was an Electro-Voice X-Line Advance X2 line array system driven by one of the first Dynacord TGX-20 amplifier set-ups to hit the road.
In choosing to use the already award-winning Dynacord TGX amps, Merlin PA’s Neal Allen also adopted a fully OMNEO workflow for the tour, combining Dante audio transport with OCA control.
Merlin PA’s Neal Allen confirms: “It was a leap of faith. The TGX amps arrived two weeks before we came away and this was our first time using OMNEO* all the way through – a fully Dante workflow. But everything worked flawlessly.”
FOH was a mixture of EV X2-212/90 and X2-212/120 elements, plus XLE181 in-fills and front-fills and X12-128 subwoofers.
Depending on each venue’s size and load bearing capacity, Allen specified a configuration to suit with a mixture of EV X2-212/90 and X2-212/120 elements, plus XLE181 in-fills and front-fills and X12-128 subwoofers. Five Dynacord TGX-20 amps per-side were housed in the rack.
“When you’re preparing for a tour you need to think about the biggest venue and the smallest venue and select a system that will cater for both,” he says. “Truck space is always at a premium, so you need flexibility in the speaker rig and the amplifiers. That’s what we get with X-Line Advance and TGX.”
Mark Clements adds: “The X2 sound is crisp and precise. It also throws for days and the detail is top notch. With the TGX amplifiers, the headroom is a massive improvement and they sound great. They’re also very easy to use – with the software everything is accessible in a second.”
For the band, meanwhile, achieving what they call “the perfect sound” in the auditorium means they can focus on their performance. “We couldn’t do what we do without our technical team and without the equipment they use,” reasons Lachie Chapman. “On our tour, every night we have people up on their feet from the second song – literally every night. I think that’s testament to the amazing sound that we have.”
For more information, visit the Dynacord website and the Electro-Voice website.
Text: Electro-Voice. Photos: Electro-Voice.
