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Astera launches QuikPunch Luminaire
Tim Routledge features Ayrton fixtures at the Eurovision Song Contest 2025
L-Acoustics Unveils Ultra-Compact LA1.16i Amplified Controller
ETC Bolsters Eos range with the TK 10-button accessory and the Eos v3.2.11 version
Luke Combs’ fourth Australian tour packs a punch with Ayrton lighting, MDG atmospherics and grandMA3 lighting control
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
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Robe iBOLT drawing tight beams in space
ETC Zeo by High-End Systems: one of a kind !
Martin Viper XIP, the worthy heir
Chauvet Strike Bolt 1C, Strobe, colors and more!
Claypaky Rhapsodya, the new Maestro of Lighting
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Ayrton appoints Briony Berning as Design, Training and Business Development Engineer
The Royal Opera of Versailles Invests in Robe
New TAF Wall Plate Console : Wall to Wall Support
Tim Goodacre Talks Astera
Fredrik Stormby goes large with Ayrton fixtures at Eurovision Song Contest...
Robe is Key to Eurovision 2024
ETC Announces Important Software Releases for Hog 4 OS
Andrea Bocelli Takes Two DiGiCo Quantum852 On Tour
SGM P3 VISION: PIXELS AND TALENT
London’s Park Theatre upgrades with ETC ColorSource Spot jr
The Other Side, the first L-ISA Spatial Audio Nightclub
Robe has A Laugh with Lado Bizovicar at Slovenska Muska Event
L-Acoustics Elevates Anne Hamlett to Chief People Officer
Astera Launches LunaBulb
AYRTON RIVAL PROFILE, AN ENDLESS REVOLUTION!
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