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Claypaky joins forces with EK Inc. to drive future growth
SIXTY82 Strengthens Commitment to UK Market with New Office at Production Park, Wakefield
La Raíz shines brightly in their comeback with a spectacular Ayrton Cobra light show
Robe Remembers Bob Schacherl 1954 – 2025
TAF’s new 3004-L base plate – A Star in Flexible Mounting
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
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Martin Viper XIP, the worthy heir
Chauvet Strike Bolt 1C, Strobe, colors and more!
Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Nexo’s line Array STM wins place in the heart of Tahiti
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Get connected with the DiGiCo S-Series
Avolites provides full control to John Partridge’s lighting design
Powersoft’s Quattrocanali DSP+D Nominated for NAMM TEC Award
Dubai Opera upgrades house rigs with Claypaky investment
Martin Introduces MAC Encore Performance
GLP JDC1 Led Strobe redefines the hybrid paradigm
Soundcraft to announce the Vi1000 digital mixing console
Ludovic Monchat is appointed Editor-in-Chief of Soundlightup
Robert Juliat Lancelot And SpotMe Perform Swimmingly at FINA Aquatic Championships...
Ayrton Appoints Zane Cretten as Regional Sales Manager
Sustainable SGM lights for Glasto’s Greenpeace Field
New La Seine Musicale Complex in Paris Features Amadeus Speaker Systems
Martin Mac Axiom hybrid: plain, simple and efficient
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