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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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L-Acoustics Syva delivers on audio and aesthetics for Croatian theatre
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Palmer MONICON® XL Studio Monitor Controller and Companion Speaker STUDIMON 5
Alan Parsons Live Show tours with Alcons
RCF Group has completed the acquisition of MONTARBO
Kobe Japanese Stadium gets a Powersoft energy recharge
Optocore and BroaMan have appointed Audiolink as Italian distributor
Showlight 2021–France–May 2021-Call for papers!
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