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Robert Juliat releases the magic of Morgane
Broadway’s musical Maybe Happy Ending uses Ayrton Diablo S in a key lighting role
ETC Adds Brighter Display Fixtures to Architectural Portfolio
Sagunto Roman Theatre steps into the future with Ayrton Rivale Profile
DiGiCo Launches its First Flypack Mixer, the Quantum112
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Adamson VGt, the new sound of Les Francofolies
From savanna to stage: Donald Holder’s spectacular lighting for The Lion King
TAF: A brand of premium structures with European DNA
Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
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Portman Omniray : the “UFO-ray”
Prolights Halupix Duo: a delicious treat for lighting designers
Ayrton Veloce Profile, high-intensity light output
Profile Starway Enzo Wet. An outdoor competitor
Robe iBOLT drawing tight beams in space
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Posts by Patrick Cussigh
Patrick Cussigh
301 POSTS
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João D’Oliva Monteiro Theatre reopens with the help of GoldenSea UV
Putting on an Exhibition in London
Prolight + Sound, postponed until 2022
48 x Robe Esprite for Billie Eilish Livestream Concert
It’s DiGiCo world at Bellevue Baptist Church
Hilversum’s Studiohuyz Delivers With Yamaha TF-RACK
Claypaky produces “Shine a Light”, a song celebrating the show industry
COVID-19 GoldenSea UV solution at Caldas da Rainha’s Centro Cultural
Robe Dances with the Stars in the USA
ICVFX chose Brompton Technology processing
Elation lighting fixtures on new season of Dancing with the Stars
Tanger Center is USA’s Largest Constellation System
KNV series used on Battiti Live TV show in Italie
Meyer Sound Announces Marketing & Executive Promotions
Robe Supports NeFestival in Ostrava
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