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RCF Introduces high-output 3-way professional column system EVOX V15
Ayrton launches the RawBeam 350 – a competitive laser-based machine
L-Acoustics Introduces Digital Construction for Accurate As-Built Venue Capture
NEXO Alpha+ Side Fills Deliver Precision On-Stage Sound for Culcha Candela Show
Robe lights up Metallica’s fantastic M72 2026 Stadium tour
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L-Acoustics Introduces L1 and CS1, the Future of Large-Scale Live Sound
Robe and Dushow pull out all the stops for a luminous revolution at the Avignon Festival
Flux:: at Harman: stepping up a gear
Sennheiser and Neumann 80 Years of Enduring Passion
Sennheiser, a family driven company fueling innovation and harvesting growth
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Innled launches Muza®, an autonomous multi-point audio diffusion system for the event industry
ETC Hog: The Phoenix Rises from Its Ashes
Ayrton Stradale Profile – Small but Tough!
Mac Aura Raven XiP: the worthy heir
Claypaky Volero Cube, a powerful and versatile LED/IP66 fixture
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Posts by Patrick Cussigh
Patrick Cussigh
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RCF ART 9 Series Makes a Giant Leap in Audio Technology
MECC Invests in Robe FORTES
New WELT TV Studios equipped with Robe T1 Fresnels
The Sulim Kadyrov Mosque features 70+ RCF speakers
Matt Hallard joins Ayrton sales team
PL+S digital meeting on 13 April 2021
Darmah and Brompton Technology celebrate their 6th birthday
Chauvet Professional for a Magic livestream of The Wonder Years
L-Acoustics sets Exhibition London as New Cultural Hub
RCF X MAX Series 10 & 12 Now Shipping
Barcelona ISE 2021, Go no Go March 5th
João D’Oliva Monteiro Theatre reopens with the help of GoldenSea UV
Putting on an Exhibition in London
Prolight + Sound, postponed until 2022
48 x Robe Esprite for Billie Eilish Livestream Concert
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