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Robert Juliat releases the magic of Morgane
Broadway’s musical Maybe Happy Ending uses Ayrton Diablo S in a key lighting role
ETC Adds Brighter Display Fixtures to Architectural Portfolio
Sagunto Roman Theatre steps into the future with Ayrton Rivale Profile
DiGiCo Launches its First Flypack Mixer, the Quantum112
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Adamson VGt, the new sound of Les Francofolies
From savanna to stage: Donald Holder’s spectacular lighting for The Lion King
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
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Portman Omniray : the “UFO-ray”
Prolights Halupix Duo: a delicious treat for lighting designers
Ayrton Veloce Profile, high-intensity light output
Profile Starway Enzo Wet. An outdoor competitor
Robe iBOLT drawing tight beams in space
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Innovation honoured: Opus Awards at Prolight + Sound 2019
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Bar raised high For Norway’s Live Production Market with Rivage PM7
Cameo Zenit W600, All-Weather LED Wash Light
Eric Grandmougin joins Active Audio & APG. Very active indeed!
Paris Opéra Garnier upgrades to ETC Eos
Winning across the board at The BRITs with DiGiCo
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