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Robert Juliat releases the magic of Morgane
Broadway’s musical Maybe Happy Ending uses Ayrton Diablo S in a key lighting role
ETC Adds Brighter Display Fixtures to Architectural Portfolio
Sagunto Roman Theatre steps into the future with Ayrton Rivale Profile
DiGiCo Launches its First Flypack Mixer, the Quantum112
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Adamson VGt, the new sound of Les Francofolies
From savanna to stage: Donald Holder’s spectacular lighting for The Lion King
TAF: A brand of premium structures with European DNA
Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
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Portman Omniray : the “UFO-ray”
Prolights Halupix Duo: a delicious treat for lighting designers
Ayrton Veloce Profile, high-intensity light output
Profile Starway Enzo Wet. An outdoor competitor
Robe iBOLT drawing tight beams in space
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Erkel Theatre welcomes Billy Elliot”with Nexo STM System
Claypaky Mythos2 gives stunning performance on alt-J show
Eclectic Alhambra in Paris Upgrades with Meyer Sound LEOPARD
ISE and VR Days to cooperate and collaborate
Phil Collins returns with grandMA2
Rightway Audio Consultants create 360° L-Acoustics sound system for Jacky Cheung
Lucy Carter magnifies The Dream of Gerontius
DiGiCo works its 24 Magic on Bruno Mars’ World Tour
Meyer Sound LEOPARD Exceeds the Ordinary at Japan’s Cinema Two
Claypaky’s SharBar has Russian debut with My Michelle
The 1975 Tours with Adamson
Jerad Garza joins Ayrton’s growing sales team
Martin Audio to Open Its Doors to Sound Community
Spikies & BMFL Blades Help Keep it Clean for Soprano Tour
Nexo STM Adapt with Couleur cafe’s Festival
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