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Broadway’s musical Maybe Happy Ending uses Ayrton Diablo S in a key lighting role
ETC Adds Brighter Display Fixtures to Architectural Portfolio
Sagunto Roman Theatre steps into the future with Ayrton Rivale Profile
DiGiCo Launches its First Flypack Mixer, the Quantum112
Robe MegaPointe Beats for Love
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Adamson VGt, the new sound of Les Francofolies
From savanna to stage: Donald Holder’s spectacular lighting for The Lion King
TAF: A brand of premium structures with European DNA
Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Test bench
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Portman Omniray : the “UFO-ray”
Prolights Halupix Duo: a delicious treat for lighting designers
Ayrton Veloce Profile, high-intensity light output
Profile Starway Enzo Wet. An outdoor competitor
Robe iBOLT drawing tight beams in space
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Ireland’s Sound Design debuts STM Series with Gavin James
L-Acoustics to Unveil Syva Segment Source at ISE 2017
Klas Dalbjörn takes on product management role at Powersoft
Valerio Tiberi lights at West Side Story with Claypaky
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