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L-Acoustics Establishes Global Real Estate Division to Support Strategic Growth and Innovation
Robert Juliat releases the magic of Morgane
Broadway’s musical Maybe Happy Ending uses Ayrton Diablo S in a key lighting role
ETC Adds Brighter Display Fixtures to Architectural Portfolio
Sagunto Roman Theatre steps into the future with Ayrton Rivale Profile
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Adamson VGt, the new sound of Les Francofolies
From savanna to stage: Donald Holder’s spectacular lighting for The Lion King
TAF: A brand of premium structures with European DNA
Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
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SolaPix Fan 8 High End. The fan-shaped light
Portman Omniray : the “UFO-ray”
Prolights Halupix Duo: a delicious treat for lighting designers
Ayrton Veloce Profile, high-intensity light output
Profile Starway Enzo Wet. An outdoor competitor
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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ETC provides silent solution for the Estonian Traditional Music Centre
Robert Juliat Oz followspots for new Zepp Kuala Lumpur
23 hangs of Martin MLA/Wavefront for Stereophonics
192 Color Strike Chauvet circle Coldplay
Marc Heinz included over 300 Robe moving lights on the Armin’rig
Sinfonya, the 4 seasons by Claypaky at PL+S
DiGiCo releases V3.0 soft for S-Series consoles
Ayrton IP65-rated fixtures chosen for EXPO 2020 Dubai
Magnum unleashes Proteus Excalibur at Palais-Royal EDM bash
Robert Juliat Arthur followspots for The Lowry, Salford, Manchester
Cameo Creates the Highlights at The Cheetah Nightclub in Atlanta, USA
SGM Q.8 – the all-in-one flood, blinder, pixel matrix and strobe
MARK RAVENHILL TAKES ON NEW STRATEGIC ROLE AT GLP LOOKS TO...
Adamson Goes Immersive with the Fletcher Machine
Shinedown Tour with Elation Seven Batten and Bandit Lites
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