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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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BroaMan Mux22 for new ERR 18-camera flagship OB van
#TBT 400 x CLF fixtures for Toverland’s Halloween Nights 2020
Ayrton launches Huracán LT – aim far, aim with precision
Video Tutorial. Robe Forte maintenance
Kinetic Lighting’s new investment in Ayrton Diablo
144 CLF Lighting Aorun fixtures light up Reverze Festival
Brompton supports 80six at Virtual Production Discovery Days
350 GLP moving heads light up RTL summer games
L-ISA Processor goes at II and Extends Immersive Power
Sound Devices Joins Audiotonix Group
Mini-K2 or Maxi-KARA – Listening to K3
GLP creative light 1 Plus assists with the emergence of ‘Bowie’
Brian Dowd joins Ayrton as relationship manager for North America
Stuttgart. Ein Traum is Mad for iSpiiders
LD Justin Kitchenman turns to Elation for Luke Bryan tour
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