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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Brompton Technology powers NME Awards’ greatest LED display to date
Ayrton Khamsin-S is a Revelation for Mika
Martin launches the Mac Aura PXL via webinar
Robe Esprites for Family Feud
Verge Aero raises sky-high salute to America’s health workers
Meir Nitzan Rishon LeZion Cultural Hall goes L-Acoustics
Murphy’s Production Services Powers“COVID-19 World Tour” With ChamSys
Arthur takes the throne! Robert Juliat releases new 800W LED followspot
Harman, Peavey, Luminex, d&b and Powersoft certified EN 54-16
Defender® Introduces the Barrier-Free MIDI 5 2D Modular System
Nexo production line restarted 11 May
Ayrton introduces Kseniia Igoshkina from its international sales team
New date: Light + Building will be held again in 2022
BroaMan adds 12G-SDI support for MUX22
VIGSØ A/S invests in CLF Orion hybrid fixtures!
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