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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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The expansion of SIXTY82’s distribution network continues
Sing! China chooses L-Acoustics L-ISA technology
RCF Arena Reggio Emilia The largest Italian outdoor venue, ever.
CODA Audio appoints SC Media Canada as Distributor
Titans serves Lord of the Flies
Wysiwyg R43, everything is faster in 64-bit
Hippotizer V4 at Finnish National Opera
Elvia-Pro distributes Broaman in Czech Republic
What’s news at Claypaky booth at LDI
The first German #DiGiCo SD7 Quantum goes to Protones
RCF appoints new RCF LATAM for enhanced latin American distribution
With TraXYZ, followspots become autonomous
Sixty82 distributed in Middle East by Unusual Rigging & Engineering
Claypaky Xtylos, the first Beam fixture with RGB Laser sources
Defender® Presents the MICRO 2 Cable Protector Series
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