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Adamson’s Sylvain Thévenard Announced as Software Manager
Zignia Live Invests in a RoboSpot Solution
Claypaky Fixtures Take The Flying Bus Stage for a Ride at Glastonbury 2025
Zactrack adds magic to Souk Wonder show
Cameo lights up Bryan Adams to Malaga
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From savanna to stage: Donald Holder’s spectacular lighting for The Lion King
TAF: A brand of premium structures with European DNA
Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
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Ayrton Veloce Profile, high-intensity light output
Profile Starway Enzo Wet. An outdoor competitor
Robe iBOLT drawing tight beams in space
ETC Zeo by High-End Systems: one of a kind !
Martin Viper XIP, the worthy heir
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Mo
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ChamSys MQ80 – longer and wider for added pleasure
Production Resource Group Announces Plans to Acquire XL Video
Hog 4 upgrades to version 3
Clay Paky Scenius: a big, bright spotlight joins the band of...
Robert Juliat DALIS 860, a cyclorama light with very rich tones
Ayrton CosmoPix-R, back to the future with a beam-throwing planet
ETC adds Fresnel adapter to Source Four LED family
Robert Juliat at Prolight + Sound 2015 : Merlin, Roxie &...
MagicDot-R, a new creative Ayrton luminaire
Clay Paky opens a Technical Service Centre in Dubai
Ayrton LEDs add highlights to Pepsi Super Bowl XLIX
Ayrton MagicBlade-R… There’s magic in the “R”
SGM P-5 washes water fountains for The Circle of Light
Fohhn Audio AG appoints Gauthier Dalle Head of International Business Development
Impact invests in a rental stock of over 300 Ayrton projectors
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