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Avolites’ success in Denmark
Costa Cruises Rocks Sanremo with Huge iBOLT show
Clair Global Welcomes Ampco Flashlight Group Into Its Global Network
Claypaky launches the new Arolla Aqua and Ultimo Hybrid
DTS Tenore & Soprano now available in ultra-compact versions
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
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Martin Viper XIP, the worthy heir
Chauvet Strike Bolt 1C, Strobe, colors and more!
Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Mo
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ChamSys MQ80 – longer and wider for added pleasure
Production Resource Group Announces Plans to Acquire XL Video
Hog 4 upgrades to version 3
Clay Paky Scenius: a big, bright spotlight joins the band of...
Robert Juliat DALIS 860, a cyclorama light with very rich tones
Ayrton CosmoPix-R, back to the future with a beam-throwing planet
ETC adds Fresnel adapter to Source Four LED family
Robert Juliat at Prolight + Sound 2015 : Merlin, Roxie &...
MagicDot-R, a new creative Ayrton luminaire
Clay Paky opens a Technical Service Centre in Dubai
Ayrton LEDs add highlights to Pepsi Super Bowl XLIX
Ayrton MagicBlade-R… There’s magic in the “R”
SGM P-5 washes water fountains for The Circle of Light
Fohhn Audio AG appoints Gauthier Dalle Head of International Business Development
Impact invests in a rental stock of over 300 Ayrton projectors
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