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Ayrton Diablo brings technology up to date at Theater De Maagd in The Netherlands
Lighting Jedermann in Salzburg
Versatile Claypaky Sharpy X Frames Enhance Dynamic Concert by Shaan in Bangalore, India
Robe Flies at The Panto
Powersoft acquires 51% of share capital of K-Array, with option to reach 100%
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Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
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Chauvet Strike Bolt 1C, Strobe, colors and more!
Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Posts by Patrick Cussigh
Patrick Cussigh
271 POSTS
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Robert Juliat SpotMe for National Theatre’s Under Milk Wood
The Futuroscope new night show relies on a Modulo Pi media...
Jack Singer Concert Hall updates with DiGiCo Quantum
San Diego Symphony’s new outdoor venue opens with Elation lighting
Martin Audio created 2 new director roles for its R&D
Big Picture chooses Brompton to deliver for Opera Australia’s Aida
RCF ART 9 Series Makes a Giant Leap in Audio Technology
MECC Invests in Robe FORTES
New WELT TV Studios equipped with Robe T1 Fresnels
The Sulim Kadyrov Mosque features 70+ RCF speakers
Matt Hallard joins Ayrton sales team
PL+S digital meeting on 13 April 2021
Darmah and Brompton Technology celebrate their 6th birthday
Chauvet Professional for a Magic livestream of The Wonder Years
L-Acoustics sets Exhibition London as New Cultural Hub
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