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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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SIXTY82 launches Arena Frame, a new concept in stage systems
Ayrton Diablo impresses on Ghost: Nachricht von Sam tour
“The Producers” at the Théâtre de Paris: Part 1
Club After Dark Goes Mega
TAG Provides SJ Lighting Team with Ayrton Perseo and Domino
Elation’s new Fuze MAX available now and shipping
Robert Juliat Dalis chosen for Taiwan’s National Taichung Theater
Marion Palace with Adamson IS-Series and Point Series
Jackie Shemesh chooses Ayrton Diablo for White Noise play
Maintenance on the Martin Mac Ultra performance: video tutorial
ETC launches High End Systems Talen
Transcolor Boosts Rental Stock with More Robe
CEG makes sustainable investment in Ayrton Diablo
NEXO ID84 columns shine in US church installations
L-Acoustics Introduces New Global Sales Director Team
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