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DTS Synergy 6 and 7 profile in HI-CRI version
Omniray, Portman’s new signature light
TAF’s New TC45 Truss Line Can Hang!
The ChamSys MQ500M+ and the new MagicQ software
With Astera, Stage 4 AV gets Up to Speed
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
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Profile Starway Enzo Wet. An outdoor competitor
Robe iBOLT drawing tight beams in space
ETC Zeo by High-End Systems: one of a kind !
Martin Viper XIP, the worthy heir
Chauvet Strike Bolt 1C, Strobe, colors and more!
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Merry lows and happy new vibes with the new LF18N408 RCF
Synergetic offers professional studio with full Elation rig
Brompton Technology wins two time at the AV Awards 2020
65 x Robe fixtures on The Killers Performance in Las Vegas
The World’s First Kara II System is in France at 6MIC
NEXO’s P+ series now hosts P15 and L18
4Wall deploys Brompton Technology processing for GUM Studios
Limelite Lighting Limited advocates MDG
Ayrton Khamsin-S for Taiwan’s National Kaohsiung Center for the Arts
Powersoft backbone for new Argentina Stadium
Diverse DARTZ shine on August Burns Red Livestream
MA 1, The First Neumann Automatic Monitor Alignment
Soundbox uses Adamson CS-Series for a drive-in concert
Astera for Malmo Opera and Funny Girl
DNEG and Brompton Technology forge new virtual production worlds
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