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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Roadie goes even more versatile with Ayrton MiniPanel-FX and Diablo-TC
Legally Blonde at NYU lit by Mason Delman with Elation Artiste...
L-Acoustics Releases L-ISA Controller v2.0 And New Tracking Partners
GLP fixtures built up in -a cage- over Young Thug
The d&b KSL-SUB, makes its debut at the 2020 NAMM
The Robe Tetra2 offers a double zoom
Five RCF TT+ speakers upgraded as II are shipping
A new panel light for the cinematic industry launch by ETC
L-Acoustics Updates Best-selling Kara with Flexible Directivity
Ayrton at the forefront with the Karif-LT and the Shamal-LT
Peter Pan takes off with Robe lighting fixtures
Back to the sources with the Sharpy Plus Aqua for Claypaky
L-ISA Technology Adds Console Partnership with Yamaha
Chauvet Rogue R1 BeamWash and Maverick Storm 1 Spot
Cameo launches the Evos W7 Wash light and the Opus X...
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