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TAF’s new 3004-L base plate – A Star in Flexible Mounting
Flicker-Free Invests in Astera
Avolites’ success in Denmark
Costa Cruises Rocks Sanremo with Huge iBOLT show
Clair Global Welcomes Ampco Flashlight Group Into Its Global Network
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Justice Live 2024: An Electroshock by Vincent Lérisson
Justice at the Accor Arena – a concert without mics
Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
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Martin Viper XIP, the worthy heir
Chauvet Strike Bolt 1C, Strobe, colors and more!
Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Posts by Patrick Cussigh
Patrick Cussigh
276 POSTS
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Proteus Maximus fulfills key visual role at Expo 2020
LD Systems unveils MAILA at PL+S 2022
GLP fixtures out in force on Idles’ UK tour
Slovenia Eurovision finds its Forte
Robert Juliat Zep2 LED in the service of Cadre Noir de...
NEXO power and versatility at Tokyo Garden Theatre
Ayrton launches Zonda 9 Wash and Zonda 9 FX
Astera gets Spaced Out in Slovenia
MDG’s theONE for Maroon 5 on outdoor amphitheatre tour
Sound Engineering University Course with RCF & Unimore
ETC Launches Cyberlight LED
Ayrton welcomes Nicolay Berenok as brand ambassador
Cameo lights up the Goya Awards in Valencia
GLP FR10S light up new production of a chorus line
Nick Chang enlists Elation Artiste to lift Church for Christmas
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