Flair Event Services based in Dubai designs and delivers full technical production for a range of cool, spectacular, and extraordinary projects corporates, industrials, concerts, clubs, social events and more, throughout the UAE and across the Middle East region.
Their designs are known for their style and innovation and Robe products are specified for around 85% of these.

The team, currently nearly 70 full-time, also engages in consultancy work and is headed by managing director Sameer “Sam” Rahman who has been in the industry since he was a teenager. He started working in a theatre in Dubai when at high school as well as DJ’ing and running his own lightshows, initially with 12 PAR cans and plenty of imagination!

Sam is now also an award-winning lighting designer who has worked worldwide on a diversity of shows. He is Flair’s head of lighting, and responsible for all investments, as well as MD of the company and is a big advocate for Robe. Flair has a large stock of Robe moving lights, and the venture has advanced rapidly since 2013 when he founded it, into a leading and award-winning enterprise.
Sam own appreciation of Robe started when he first ‘met’ the brand working as a freelance LD, and again when he was still a teenager in the mid-noughties. He recalls the first major Robe installation in Dubai which was at Chi @ the Lodge (now closed), an enormous venue complete with 4 different clubs in one setting.
The first season he worked there was 2007, after which he convinced management to dispense with several of the cheaper moving lights from other brands and upgrade with some Robe fixtures.

A bunch of Robe ColorSpot 575E ATs arrived and made a massive difference to the dynamics and drama of the club’s lighting. Sam recalls particularly liking the pink and white gobo. Flair has Robe MegaPointes, Spiider LED washbeams and LEDBeam 150s in its inventory plus access to large dry hire inventories of other Robe models which they are planning to replace with their own stock.
In 2019, Sam designed a stunning show for Pakistani superstar RFAK (Rahat Fateh Ali Khan)’s world tour which included over 300 Robe fixtures – 48 x FORTES, 96 Spiiders, 76 MegaPointes and 96 x LEDBeam 150s plus four RoboSpots running BMFL FS luminaires.

This gave him “incredible scope” and he likes Robe for its “reliability, good engineering, and creative features. Generally, he thinks the products are extremely robust, noting, “Robe is an industry leading brand, so there are many reasons to use it!”
As a designer, it’s important to be brand-neutral, but since the start of his professional career nearly 20 years ago, he thinks Robe consistently brought very relevant moving lights to the market, and that’s why he continues to use them.
Service, backup and support are other big things when specifying or investing, and Sam describes the team at Robe’s Middle East subsidiary – also based in Dubai – as “phenomenal. Their diligence is second to none, and the pricing structure is very fair.”

Sam first encountered Robe’s LEDBeam 150s when designing lighting for a 6-month festival in Dubai. On the original spec there was initially another LED wash fixture, but when the dry hire company offered LEDBeam 150s, he assessed the fixture and went with LEDBeam 150s. “When I saw them in situ, the quality and optics of the lights absolutely blew me away, especially for such a small size!” he declared. “When utilising the right type of haze, this luminaire gives a proper solid beam even in a large arena space.”

Flair’s head of Technical Marno Snyman joined in 2022 and was delighted that they used so much Robe, having himself had many great experiences with the brand working with top companies like Sound Stylists and others in South Africa. “I absolutely love Robe” he enthused, “the colours are always excellent and well-matched between the different fixture ranges, and they think about other practicalities like making them light in weight.”

At Flair, Marno oversees all the technical elements and oversees 90% of the shows, and in SA he worked on large projects like the SAMAs (South African Music Awards) and TV productions like Strictly, all with plenty of Robe, and he echoes Sam’s comments on the reliability and effectiveness of working with a quality brand.

Robe Middle East’s Elie Battah on the left with Flair’s MD Sameer “Sam” Rahman.

Elie Battah, MD of Robe Middle East, commented, “It is always a pleasure for me to work with the Flair team, their show designs are constantly innovative and pushing the boundaries creatively and in terms of what is possible with the technology. They are highly professional and consistent, and can always rely on our full support.”

For more information abour Robe lighting, you can visit www.robe.cz

In the summer of 2024, Italian music legends Francesco Renga and Filippo Neviani, known as Nek, embarked on an electrifying tour that celebrated the best of their extensive discographies. This highly anticipated tour, aptly named Renganek Live 2024, masterfully blended Renga’s soulful rock with Nek’s dynamic pop-rock, offering audiences a unique musical experience grounded in a shared rock matrix.

Designed with flexibility and sustainability in mind, the tour utilises a semi-production setup that integrates essential aspects of a full-scale production with a more efficient and simplified approach. This combination ensures smooth execution across numerous tour dates, while also providing the adaptability to address the unique challenges and opportunities of each venue.

At the heart of the tour’s lighting setup is a sophisticated control system managed by renowned lighting designer Pietro Bardelli. Bardelli has employed two Full Boar 4 consoles from ETC’s Hog 4 family, one primary and one backup, to ensure flexibility, speed, and reliability throughout the tour.
This decision was driven by the need to adapt quickly to varying materials and conditions at each venue while maintaining high standards of visual consistency.

Bardelli, who has a long-standing reputation for excellence in live event production, explains, “This is a rock and roll tour, and with the semi-production setup, I encounter different fixtures at each stop. It was crucial to use a control setup that provides the flexibility, speed, and reliability required for this kind of tour. The ETC Full Boar 4 consoles, along with two DP8000 units for expanded DMX universes, offer significant advantages in terms of programming logic and console power.”

The lighting design for the Renganek Tour places a strong emphasis on clean and precise programming, particularly given the absence of an LED wall. The visuals rely heavily on the lighting design to create an impactful experience. Bardelli notes, “Practically at every date, I have to replace the fixtures while maintaining the same effects.

The palettes must be transported faithfully, and even with different lighting fixtures, the result closely matches my vision. Typically, within a couple of hours, I can set up new fixtures, adjust the patch, and recall palettes and colors efficiently.”

The tour’s concert experience is further enhanced by the integration of Time Code for most pieces, with Bardelli also retaining the flexibility to manually mix certain segments during performances.

The dynamic interplay between Renga and Nek, highlighted by a thrilling rock medley where Nek showcases his bass skills, adds to the tour’s excitement.

As the tour progresses, the synergy between Francesco Renga’s emotive rock style and Nek’s high energy performances remains a highlight.
The lighting design, which shines without the aid of an Led wall, ensures that the visuals are as captivating and precise as the music itself.

For more information about ETC

Following the worldwide success of Rivale Profile which sold over 10,000 units in less than a year, Ayrton is proud to present its brand new Veloce Profile, the second ultra-equipped luminaire in its ‘Ultimate’ family, which has been specially designed for use in large spaces.
Veloce Profile is a versatile, IP65 rated, luminaire capable of operating in all conditions, indoors and outdoors, including saline-heavy environments.

High Performance : Veloce Profile pushes back the limits of integration with a brand new sealed monoblock 850W high efficiency LED module, calibrated at 6500K, which offers a luminous flux of 43,000 lumens with optimum positioning on the black body to achieve perfect light neutrality. Its proprietary 13-lens optical system offers a zoom ratio of 13:1 and a zoom range from 4° to 52°, its 180 mm front lens capable of delivering an ultra-intensive 4° beam.

Audacious HD colour mixing : Veloce Profile, like all the luminaires in the ‘Ultimate’ range, adopts a revolutionary new CMY colour mixing system with ultra-fast high-definition discs. This single-layer system provides a clear improvement in colour intensity during reproduction.
An ultra-fast, high-definition single-disc progressive CTO enables precise colour temperature adjustment from 2700 K to 6500 K. A 7-position colour wheel with special filters completes the palette of colour creation tools.

Refined and subtle : For specific applications requiring perfect colour reproduction, Veloce Profile offers a subtle adjustment of the colour rendering index from 70 to 86.

Precision and accuracy : A new, ultra-precise framing module makes it possible to isolate any object thanks to the surgical positioning of each shutter blade over 100% of the surface with +/- 90° rotation. A fast 15-blade iris diaphragm with an aperture range of 15-100% optimises the beam at tight angles. For greater freedom of movement and design flexibility, Veloce Profile comes as standard with infinite continuous rotation on both pan & tilt axes.

Inspiring and creative : Veloce Profile features two superimposed rotating gobo wheels, each equipped with 7 interchangeable high-definition glass gobos for creating spectacular effects. The effects section is equipped with a monochromatic animation wheel and two rotatable prisms that can be combined, including a circular 5-facet prism and a linear 4-facet prism for creating 3D effects.
Two Frost filters, one with low diffusion that erases the contours of the beam without changing its angle, and one with high diffusion for wash applications, complete the image section.

Powerful yet light : Veloce Profile is the lightest luminaire in its category, weighing just 40.5 kg. The use of new, lighter aluminium parts has resulted in a significant reduction in weight, with the aim of achieving the best weight to power ratio on the market without the use of expensive or unstable special alloys.

The ‘Ultimate’ range has broken the codes with its avant-garde design. A family of perfectly homothetic luminaires that reinforces the sense of unity between the different models. Veloce Profile provides the ultimate sensations. An accomplished luminaire synonymous with high performance, unbridled creativity, refinement and power. A luminaire you won’t want to do without.

For more information on Ayrton and its full range of LED and laser sourced products, visit www.ayrton.eu

Two of the best-known brands in the global entertainment lighting technology industry have announced an exciting new partnership destined to change the landscape of the market in Australia & New Zealand.
With effect from 1 September, Melbourne-based manufacturer LSC Control Systems will become the Australia & New Zealand distributor for UK-based lighting controls and visual systems manufacturer, Avolites.

Paul Wong with Avolites sales director, Ron Carrington.

Both companies are owned by Czech Republic-based moving light and LED manufacturer, Robe lighting s.r.o. This significant development will be mutually beneficial to both brands in Australia & New Zealand – and to the market as it signals a new period of opportunity for the region’s professional lighting industry.
It also brings these two renowned brands full circle. Although in robust competition for more than 30 years, the two enjoyed a successful partnership back in the 1980s, when LSC provided certain products under OEM license to Avolites. Acquisition has changed the outlook once again.

As Robe businesses, both companies can now draw on each other’s strengths together with the resources and dynamics of the wider Robe group, to offer a new level of solutions and support to the thriving Australasian market. With LSC’s role as a provider of world-leading power and data distribution solutions, complemented by Avolites’ renowned visuals and lighting control products, the future is visibly bright.

Avolites’ Managing Director Paul Wong is thrilled by the development: “We’re all very happy to welcome LSC as our representative for Australia and New Zealand. Their years of industry experience and strong relationships will strengthen Avolites in the region. We all take great confidence from the natural alignment between the two brands!”

Gary Pritchard, LSC’s Founder & Managing Director.

Gary Pritchard, LSC’s Founder & Managing Director, agrees: “This is incredibly exciting news that allows us to provide a very attractive turnkey offering to the customers. Two manufacturers working together in their respective fields of expertise can only benefit the market.”
He adds, “Just a few short years ago, we wouldn’t have imagined that an opportunity like this was possible. But now, I’m delighted to say that some big, bold moves in this incredible industry have made it a reality!”

This new reality continues the long and interwoven stories of both brands and presents an optimistic future. “Avolites’ latest range of lighting control consoles and media servers perfectly complements our product portfolio,” says LSC’s business development manager, Darren McLanders, “It’s a powerful synergy and we’re looking forward to passing it on to our customers here in Australia and New Zealand.”

Darren continues, “The Avolites team has done an amazing job over the years, establishing a real presence, particularly in the UK, supporting and training console users at festivals and shows. It’s a model we’ll follow here, with regular training and direct product support from industry professionals, giving users the confidence and support they need to grow an advanced range of products.”

The Avolites brand will be officially relaunched to the Australia & New Zealand market during the 2024 Entech roadshow events, set to visit Sydney, Melbourne, Adelaide, Brisbane and Perth during October.

For more information about LS Control and Avolites

Icon of the Seas, Royal Caribbean International’s new game-changing ship, is setting new jaw-dropping standards and records in the world of vacations. Built at the Meyer Turku shipyard in Turku, Finland, Icon features more than 40 different entertainment, leisure, and retail spaces, including three primary entertainment venues.

The Royal Theater presents full-scale productions, including the first rendition of The Wizard of Oz at sea; Absolute Zero is a premium ice-skating arena; and the AquaTheater brings adrenaline and thrills centre stage with aqua shows put on by the first cast of aerialists, high divers, robots, synchronized swimmers and more.

Two of Icon’s main entertainment venues, Royal Theater and Absolute Zero, have Robe moving lights at the heart of their installed lighting rigs, while approximately 250 other Robe and Anolis LED fixtures are being used throughout the ship in 10 separate areas.
The various Robe fixtures include iForte, Forte FS and iForte FS, Esprite, Painte, Tetra2, and iSpiider moving lights, plus multiple RoboSpot remote follow spot systems throughout the different venues.
The entertainment lighting for Icon’s many different areas was specified by Christopher Vlassopulos who oversees all entertainment technology across Royal Caribbean’s ships, working closely with UK-based lighting consultant and maritime specialist Ben Couling from Tristwell Designs and Nick Mugnani from Skylight Services, together with integrators and installers Control AV based in Finland and also operating in Miami.

Royal Caribbean is committed to delivering the highest standard of entertainment and understands the role and importance of good production values and quality equipment.
The project was coordinated by Robe’s global maritime manager, Tony Perez, working closely with the vacation brand, Tristwell, Skylight, and Control AV in both Finland and Miami. The kit was delivered to Finland via Robe’s Finnish distributor, Lighthouse Entertainment, which played a key role in providing the best support to all involved!

Royal Theater

Seating more than 1,200 guests, the proscenium arch theater venue spans decks 4 and 5 at the forward end of Icon, and it currently stages two productions, The Wizard of Oz and SHOWBAND! Live.Music.Now. The music is played live by a 16-piece orchestra, split into two groups and positioned on both sides of the stage. Twenty-four Esprite PCs and 28 x Esprite Profiles were chosen as key fixtures, most flown in the overhead rig, with some deployed along the high sides of the stage.

Two Forte FS FollowSpots with motion cameras are running on two RoboSpot controllers positioned on the lighting bridges, with the Forte FS luminaires on the most downstage catwalk. There are also 32 x Paintes in the space, chosen for their small size and powerful output positioned front of house!
The perfect match of colors between all these Robe LED lights was a big bonus for production lighting designers Rui Rita and Matt Taylor who shaped the looks, drama, and narrative of this colorful and lively show, and even with many other fixtures involved, the Robe elements stand out from the rest and are at the heart of the storytelling.

Music Hall

Music Hall is a 2-story bar, night club and lounge that features a lineup of excellent tribute bands covering numerous genres from jazz to rock! Twenty-four TetraX units are used as one of the main effects due to their continuous pan rotation, stunning flower effects, and powerful output! Four LEDBeam 150s in the same venue are strategically positioned to hit the mirror ball!

Absolute Zero

Absolute Zero is an ice arena located at the aft end of deck 5 and is the largest at sea. It’s the first to feature an oval shape that provides excellent sightlines wherever guests are seated. Absolute Zero has four Forte FS FollowSpots running in pairs on two RoboSpot systems, which are each positioned at 90 degrees to one another around the rink, used for specials and highlighting soloists as they whizz around.

Royal Promenade

The Royal Promenade is the heart of Icon and a connector between the Royal Theater and Absolute Zero at opposite ends of deck 5. It has over 15 restaurants, bars, and lounges, including many flavours, atmospheres and favorite brands for numerous tastes.
Nine white Esprites and two RoboSpot systems with four white Motion cameras are rigged on both sides, port and starboard. The RoboSpot system was chosen for its unique flexibility with the BaseStations concealed in a remote room off site from the main Royal Promenade neighbourhood!

The Esprites are used to pick up various entertainment functions staged around the Royal Promenade’s variety of spaces and were chosen due to their intensity and multipurpose features. Several sets of Anolis Ambiane AP RGBW fixtures complete with 67-degree lenses are installed in The Attic, Schooner Bar, and Point & Feather.
The Ambiane AP was picked for its 90+ CRI to accentuate the architectural design. When dynamic colors are needed, the Ambiane AP bursts into vibrance with its unique patented RGBW color mixing system!

AquaTheater

AquaTheater hosts a high energy water-based extravaganza including 17m- and 10m-high diving platforms, synchronized swimming, robotic arms, and fountain shows. The two dive towers are lit with 12 white iSpiiders rigged underneath the towers and on the inner sides of the stage in between them to great effect.

Up lighting the towers are 12 x white Anolis Calumma L MC fixtures picked for their durability and quality of light. Six white iFortes, two RoboSpots and four IP65 motion cameras are in action for the high diving, slacklining, fountain shows and various other deck-defying entertainment in the AquaTheater.

The flexibility of the RoboSpots paired with the IP65 iForte units make the perfect match and a great long-term investment! The RoboSpot systems were specified because they can control up to 12 Robe moving lights per BaseStation, ideal for full coverage of the high diving in conjunction with the 40,000 Lumen iForte units!

Thrill Island and Chill Island

Throughout Icon’s Thrill Island and Chill Island where guests can choose between four pools, nine whirlpools, six record-breaking water slides, and the FlowRider surf simulator among other experiences are over 60 Anolis Calumma M MC RGBW fixtures, mainly used as accent lights for the structures and water features. The Calummas were supplied with Robe’s special Harsh Environment coating to withstand the salt, humidity, sea spray and UV conditions!

Tony enjoyed collaborating with Royal Caribbean’s creative team immensely. “Icon of the Seas was a once-in-a-lifetime endeavor, and the involvement of Robe and Anolis on this iconic vacation speaks volumes about the reputation of both brands,” stated Tony.

“Inventive lighting solutions including Robe’s Transferable Engine (TE) technology, the remote RoboSpot systems and fully weatherized IP65 rated products all made this job easier, and close communication with the factory in the Czech Republic ensured the delivery of top-notch lighting products for the entertainment industry.

“This achievement was a massive team effort from Robe’s side, with key contributors like Lorienn Cochenour, Peter Moore, the late Craig Burross, Tony Morin and Tal Janowitz from Robe North America, and international sales director, Ingo Dombrowski” he concluded.

For more information about Robe Lighting

There’s a whole stadium around every halftime show. ETC makes the systems and products that let stadiums look great hosting the Super Bowl and every other gameday. So of course Gopher Stage Lighting worked with the electrical contractor to select and install an ETC system to handle lighting controls for Allegiant Stadium in Las Vegas, home to the Las Vegas Raiders and host of Super Bowl LVIII.
« “ETC is a great company for this kind of thing because they provide everything we need to make this stadium function,” says Josh Wood, Senior Project Manager at Gopher Stage Lighting and the person who oversaw every inch of the installation.

“They have everything from a centralized control system to individual button stations, relay panels to reverse-phase dimmers, touchscreens to lighting control consoles – everything we need for the stadium from one place.” Plus, ETC integrates nicely with every other system necessary to operate a modern stadium. “It’s easy to set up and keep moving forward.” »

Paradigm is the architectural control for the stadium, controlling back of house as well as general lighting for the stadium. But this is Vegas, which means the stadium is full of special VIP suites and clubs that demand special impact. Paradigm also shines there, allowing the lighting for these spaces to be run separately and dynamically.

“We have Paradigm processors and individualized power control in the clubs. They can act as islands unto themselves, individually running the clubs and bars behind the suites, doing 0-10 V loads, as well as reverse-phase dimming for LED tape and other LED sources,” says Wood. “You’re able to get clubs up and running without having to have the whole stadium system up and running.”

And because it’s Vegas, when Wood says clubs, he means plural. There are multiple clubs throughout the stadium, including the Wynn Field Club across the north end zone of the stadium that brings the nightlife experience to game day. “The lion’s share of that system is a large moving light package being controlled by ETC’s Eos entertainment system—but it’s still integrated into the stadium Paradigm controls,” explains Wood.

That’s not the only space where moving lights and color-changing fixtures are prominent. With the advent of color-changing LED fixtures powerful enough to light a field, stadium lights are part of the show now too. An ETC Gio console controls stadium lights and automated fixtures to entertain the crowd with color chases and flashy effects from moving automated fixtures throughout the game.

“LED stadium lights are a game changer,” says Wood. “They can blink, flash and chase. I can run color-chases around the stadium or paint the field with color. You saw that during the National Anthem at the Super Bowl. They were also using the color changes as well as the sports lights during the halftime show.”

The color changing lights are used throughout the season. Dawn Horstmann, a Field Service Engineer for ETC and Lighting Director for the Raiders, uses the entertainment capabilities of the Gio console integrated with the Paradigm system to dazzle the stadium throughout a game.
“When the Raiderettes cheerleaders go onto the field and perform, we have moving lights focused on the end zones, and then the sports lights twinkle, and moving lights bounce around in all directions,” says Horstmann. Because the NFL has strict rules banning entertainment light from the field for the game broadcast, Dawn leans on powerful Eos tools to make sure that all this sparkle never spills over onto the field during broadcast.

“For touchdowns, I have ballyhoos that run around the stadium on all the seating, but you’ll never see it on camera,” explains Horstmann. “One of the cool things about Eos is that I can make an absolute effect where I have different focus points in all four corners and I can actually run my moving lights all the way around the stadium and never worry about it hitting the field.”

The console isn’t the only control triggering special lighting effects either

The video team can synchronize lighting effects with video simply by generating SMPTE timecode. In similar stadiums with an ETC backbone, “a touchdown video can drive the stadium lights by sending a trigger to Paradigm and on to ETC’s Mosaic system,” says Wood. “This is a big thing that every stadium wants to do now: have video triggering lighting.
Once we integrated video into lighting in one of the stadiums we work with, every stadium had it added within the next year or two. We put it in the U.S. Bank Stadium in Minnesota as well as Geodis Park in Nashville for the Nashville Soccer Club. It’s a really great feature that they like a lot. It allows them to trigger effects without having a dedicated lighting operator for game days.”

ETC’s Mosaic Show Controllers deliver lighting looks and color-changing capabilities for a variety of pixel-based lighting attractions around the stadium, including the Coke activation on the upper concourse and the color changing fixtures around the Al Davis Memorial Torch. “It’s an important feature to the building because they light it before every game and it stays on through the end of every game. They even lit it for the Super Bowl,” explains Wood.

Wood and Gopher Stage Lighting were proud of Allegiant’s Super Bowl moment, especially after all the care and attention they put into the installation. During construction of the stadium, Gopher Stage Lighting, based in Minnesota, even leased an apartment in Las Vegas to make sure their people could be onsite at a moment’s notice.
“Gopher works extra hard to be an amazing partner to stadiums and contractors, starting with how we even do our submittal paperwork all the way through working with the contractor to make sure they understand what wire needs to be pulled where and what needs to happen in what order,” says Wood.

Although only one team can win the Super Bowl, ETC is a winner in multiple stadiums and arenas, including U.S. Bank Stadium, Target Field, Xcel Energy Center, Target Center, and Allianz Field in Minnesota, Geodis Park in Nashville, SoFi stadium in Los Angeles (host of the 2022 Super Bowl), Sun Trust Park and Mercedes-Benz stadium in Atlanta, and many more. ETC handles building and entertainment lighting for the biggest stadiums and biggest games all over the country and all year round – not just at halftime.

For more information about ETC, please visit etcconnect.com

Renowned DJ David Guetta delighted audiences with his show “The Monolith” on July 25 at the Ciutat de València Stadium. For more than four hours, the artist offered an unforgettable musical and visual performance, combining his characteristic electronic sound with dazzling visual effects that captivated the audience. The event brought together more than 18,000 spectators, consolidating itself as one of the major events of the year in the city.

Ayrton Cobra infuses David Guetta’s performance with a dazzling blend of innovation and spectacle.

“The Monolith” solidified its status as David Guetta’s premier show in Spain, an exclusive production crafted specifically for this event. This meticulously planned performance delivered a singular and unforgettable experience.
The impressive, large-scale set design seamlessly integrated the latest technology with breathtaking visual effects, creating a comprehensive sensory impact on the audience. Every detail was flawlessly synchronized, immersing the audience in a torrent of immersive, powerful sounds that harmonized perfectly with an awe-inspiring visual display of laser lights and special effects.

The show not only impressed with its visual design, but also with the inclusion of amazing pyrotechnics, which further elevated the excitement of the night. The explosions of lights and colours in the sky added an extra touch of adrenaline, creating a visual climax that complemented the music perfectly.
This level of production transformed the night into an unforgettable experience for the more than 18,000 attendees, who were immersed in an amazing show that will be hard to forget. The mixture of music, technology and sensory effects achieved a perfect balance, consolidating “The Monolith” as one of the most memorable events of the year in Valencia.

Together with Global Live Entertainment SL, producer of the event, and Fluge Audiovisuales, which was responsible for supplying the technical equipment, David Guetta’s show became a complete audiovisual masterpiece.
The stage set-up included a giant LED screen with a cube-shaped design that ruled the stage, creating an impressive and immersive visual presence. This impressive technological display, along with high-resolution sound, enabled each beat and melody to resonate throughout the audience’s body, creating a total immersive experience.

Ayrton Cobra

One of the most talked about aspects was the impressive lighting of the event. The 24 Ayrton Cobra laser-sourced fixtures were a standout highlight of the show, captivating the audience with a standing ovation and infusing the performance with a dazzling blend of innovation and spectacle.

These powerful moving lights, featuring laser phosphor technology, projected beams of light with mesmerizing clarity that danced in the air and sky with a hypnotic, fluid motion.

The meticulously crafted laser effects conjured a futuristic ambiance that immersed the audience, making them feel part of the show. The lights’ rapid movement and direction changes created the illusion of the light itself dancing to Guetta’s rhythm, forging a powerful visual and emotional connection that elevated the experience to new heights.

More details on Ayrton Cobra and the full range of Ayrton LED and laser-sourced lighting fixtures can be found at www.ayrton.eu

Ayrton is distributed exclusively in Spain by Stonex: www.stonexsl.com