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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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L-Acoustics launch SB10i ultra-compact sub
Elation KL Fresnel for Al Arabiya broadcast facility
Zveri lit by 75 impression X4 Bar 20 at Moscow Megasport
Zero 88 Chilli Pro Dimmers for the Chassé Theater Breda
THOR AV brings their message to life with Brompton Technology
Astera Launches AX9 PowerPAR
Follow-Me tracks at the Ahoy for Eurovision’21
Israeli Opera is ready for its triumphant encore with L-Acoustics K3
Church upgrades worship service production with Ayrton Levante
Brompton Technology delivers for Six60’s Concert
LumenRadio combines two leading technologies, CRMX and W-DMX
ETC fos/4 Lights the Way for Pioneering High School TV Channel
Marshall turns volume to 11 with new recording studio
Eiffel Tower lit using Proteus Hybrid for Bastille Day celebration
Robe launches CUETE
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