The popular game show, for its 37th season, replaced its lamp fixtures with compact LED profiles LED Ayrton Khamsin generating less heat, requiring less power, and needing not much maintenance, provided by Sony Set Lighting.
âLEDs are now able to replace a 1200W arc source,â declares William McLachlan, Lighting Director and Programmer. âI already used Ayrton fixtures on other shows; theyâre building interesting lights that are becoming mainline workhorse fixtures.â
Thanks to McLachlan’s long-standing relationship with ACT Lighting, the Ayrton exclusive distributor in North America, he learned about Khamsin fixtures. âWe wanted to expand the showâs plot with moving lights, and Khamsin had just come out. They had all the settings, the output and the quality of light that we needed, so ACT provided us some Khamsins for a shoot-out, and we actually shot some shows with them.â
The Khamsin units âdefinitely stood out,â he reports, so McLachlan recommended them to Jeff Engel, DP and Lighting Designer, and the Khamsins soon joined a group of 85 moving lights over the stage.
âThatâs a big footprint to cover, (150 x 250-foot); we needed lights that would be usable from 90 feet away, and Khamsinâs output put them over the top,â says McLachlan.
âThey serve as moving key lights that save us lots of time as shots are set up, they fill the need for shutters that are required for a portion of the plot, and they paint the scenery with texture, pattern, softness, tone and colour.â The programâs puzzle board and wheel remain the same show to show but the rest of the set changes to offer viewers an array of different looks.
âThe Khamsin units went live with the new season of Wheel of Fortune that began shooting in July. âWeâve done our first two taping cycles, and the Khamsins are working great and looking fantastic,â McLachlan reports. Brian McElroy is the gaffer for Wheel of Fortune.
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