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Ayrton Kyalami beams on Swedish Idol
Robe Helps Lift the Mask in South Africa
Royal Shakespeare Company upgrades with Eos Apex lighting control
The Production People, Singapore invests in its first Robert Juliat Oz followspots
Ayrton Rivale Profile debuts in Singapore
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Good ideas stand the test of time. VGt is here and it was worth the wait
Shure Axient Digital PSM, the IEM powered by WMAS
Two days of full immersion at d&b
SLX lights up the Olympic Aquatics Center for the Paris 2024 Olympic Games
Michel Sardou, the curtsy of an old wolf to the sound of a young Panther
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Claypaky Rhapsodya, the new Maestro of Lighting
Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
Robe iPAINTE: a new kid going into the Big League!
Robert Juliat Sully 4C, retrofit Color LED module
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
The rigging of fixtures: adjustable clamps are a must!
Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Diverse DARTZ shine on August Burns Red Livestream
MA 1, The First Neumann Automatic Monitor Alignment
Soundbox uses Adamson CS-Series for a drive-in concert
Astera for Malmo Opera and Funny Girl
DNEG and Brompton Technology forge new virtual production worlds
ETC Introduces High End Systems SolaFrame Studio
Robe Illuminates Mountains at Parrtjima Festival of Light
JDC Line helps Glass Animals into Dreamland
Meyer Sound Spacemap for Montreal’s MUTEK 2020
Almost 200 Elation lighting fixtures at 2020 Noche del Sabor benefit
Epic Games’ Innovation supported by Brompton Technology
Defqon.1 2020 at Home with CLF Lighting
Cameo Flat Pro series illuminates the riverbanks in Murcia, Spain
Rivage PM V4.7 update brings Bricasti Y7 Reverb
DiGiCo’s SD12 for open air The Flying Dutchman Opera
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