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OXO Pixyline 300 GFX, powerful output and versatility
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Renowned French Domaine d’O Complex chooses Amadeus and HOLOPHONIX
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L-ISA ENHANCES LOMEPAL AT THE ACCOR ARENA
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Astera LeoFresnel, the “Swiss army knife” for television studios
OXO Colorblind 400 BFX, a blinder rated IP 65, with variable whites and effects
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Robert Juliat Sully 4C, retrofit Color LED module
ETC Source Four Series 3: Lustr X8 and XDLT optics, a winning combination
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Shure wireless and WMAS, the challenge of frequencies for PMSE
Sound if I want it, where I want it, when I want it
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Maintenance on the Martin Mac Ultra performance: video tutorial
Video tutorial. Maintenance of the Ayrton Eurus S
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Winning across the board at The BRITs with DiGiCo
admin
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22 March 2019
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Stunning French touch all-motorized design from Award-winning LD Vincent Lerisson
admin
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21 March 2019
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Epic investment in Allen & Heath dLive and SQ mixers
admin
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20 March 2019
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Top brands and programme highlights at Prolight + Sound and Musikmesse...
admin
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19 March 2019
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The Heart of Manchester pounding with Astera AX1 PixelTubes
admin
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18 March 2019
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Dalis cyclorama investment for London’s National Theatre
admin
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17 March 2019
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DPA Microphones to prove Small is Beautiful at Prolight + Sound...
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16 March 2019
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Elation Rayzor 760™ cuts through the lighting rig at Super Bowl...
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15 March 2019
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Ministry Of Sound Annual Classical Tour remixed with DiGiCo SD7
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14 March 2019
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Brompton Technology TESSERA training sessions: the show does go on
admin
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13 March 2019
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PRG K.K appointed new exclusive Ayrton distributor for Japan
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13 March 2019
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Yamaha Rivage PM7 and Nexo Geo attuned for Helmut Lotti tour
admin
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12 March 2019
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On Tour With Adele by Katie Markham: the LightShark at Work
admin
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11 March 2019
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OK sound for Intense UFC Events: Meyer Sound Leopard scores a...
admin
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10 March 2019
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Hog Factor Competition returns, this time at LDI
admin
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9 March 2019
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